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THE PARLOUR ESSAYS

THE TROUBLE WITH LOOKING UPDATED

Updated: Jun 7

Ornate carved table leg in black and silver on a beige background, with a long shaded shadow; calm, elegant still life.

Parlour Postcard 004

‘Updated’ is one of those words that sounds harmless. A house is updated. A room is updated. A fireplace is updated. A kitchen is updated. The word carries the brisk cleanliness of progress and modernisation, as though the building has simply been brought into step with the present day. Sometimes that is exactly what has happened. Heating improved. Wiring made safe. Leaks repaired. Storage added. A room made usable for actual life rather than preserved as a decoration. That is all good.

Then there is the other kind of updated.

The kind where the house loses its scale, joins, shadows, materials, eccentricities and quirks in exchange for smoothness. The architraves become thin. The fireplace disappears. The floor is levelled into modernity. The walls are coated until they stop behaving like old walls. The kitchen arrives and shows no interest in the rest of the house.

The trouble with ‘updated’ is that it often hides a value judgement. Older details are treated as problems. Irregularity is viewed as failure. Age becomes inconvenience. Practical improvements are bundled together with aesthetic erasure, then the whole operation is sold under a word too bland to object to.

Old houses need care, repair and intelligent adaptation. They also need the right to remain old. Comfort and historical character can live together when the work is thoughtful. The issue is not modern life entering the house. The issue is modern life arriving with a skip without discernment.

A house can be updated without being lost.


Short notes from Studio Wallander on old house interiors,

materials, details, and design opinions.

 
 

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